雨后天晴的一天，一艘大船停靠在码头，从三水漂洋过海而来的欧阳天晴和姐妹们对星洲的未来充满憧憬。与此同时，同船应聘陆家家庭教师的白薇与陆家三少爷陆雪亭因为一盒胶卷而相识。躲在船舱里偷渡而来的何小蝉是追随同乡天晴而来，因没买到票故躲在船舱里。下船后，小蝉被星洲地头蛇邝海生为难，幸得天晴与白薇合力帮助才打退邝海生。经过此事，邝海生对爽朗豪迈的天晴心生好感。今日恰逢星洲游神，陆家二少爷陆雪樵看到游行，心中愤怒不已。 原来多年前，陆家大少爷陆雪霖意外失踪，传言他被再婚妻子南兰所害。南兰的家族在星洲声名显赫，被称为“白天女”的她身份尊贵。南兰离开陆家后，创立了女神酒店，成为星洲上流人士云集之场所。

雨后天晴的一天，一艘大船停靠在码头，从三水漂洋过海而来的欧阳天晴和姐妹们对星洲的未来充满憧憬。与此同时，同船应聘陆家家庭教师的白薇与陆家三少爷陆雪亭因为一盒胶卷而相识。躲在船舱里偷渡而来的何小蝉是追随同乡天晴而来，因没买到票故躲在船舱里。下船后，小蝉被星洲地头蛇邝海生为难，幸得天晴与白薇合力帮助才打退邝海生。经过此事，邝海生对爽朗豪迈的天晴心生好感。今日恰逢星洲游神，陆家二少爷陆雪樵看到游行，心中愤怒不已。 原来多年前，陆家大少爷陆雪霖意外失踪，传言他被再婚妻子南兰所害。南兰的家族在星洲声名显赫，被称为“白天女”的她身份尊贵。南兰离开陆家后，创立了女神酒店，成为星洲上流人士云集之场所。

雨后天晴的一天，一艘大船停靠在码头，从三水漂洋过海而来的欧阳天晴和姐妹们对星洲的未来充满憧憬。与此同时，同船应聘陆家家庭教师的白薇与陆家三少爷陆雪亭因为一盒胶卷而相识。躲在船舱里偷渡而来的何小蝉是追随同乡天晴而来，因没买到票故躲在船舱里。下船后，小蝉被星洲地头蛇邝海生为难，幸得天晴与白薇合力帮助才打退邝海生。经过此事，邝海生对爽朗豪迈的天晴心生好感。今日恰逢星洲游神，陆家二少爷陆雪樵看到游行，心中愤怒不已。 原来多年前，陆家大少爷陆雪霖意外失踪，传言他被再婚妻子南兰所害。南兰的家族在星洲声名显赫，被称为“白天女”的她身份尊贵。南兰离开陆家后，创立了女神酒店，成为星洲上流人士云集之场所。

雨后天晴的一天，一艘大船停靠在码头，从三水漂洋过海而来的欧阳天晴和姐妹们对星洲的未来充满憧憬。与此同时，同船应聘陆家家庭教师的白薇与陆家三少爷陆雪亭因为一盒胶卷而相识。躲在船舱里偷渡而来的何小蝉是追随同乡天晴而来，因没买到票故躲在船舱里。下船后，小蝉被星洲地头蛇邝海生为难，幸得天晴与白薇合力帮助才打退邝海生。经过此事，邝海生对爽朗豪迈的天晴心生好感。今日恰逢星洲游神，陆家二少爷陆雪樵看到游行，心中愤怒不已。 原来多年前，陆家大少爷陆雪霖意外失踪，传言他被再婚妻子南兰所害。南兰的家族在星洲声名显赫，被称为“白天女”的她身份尊贵。南兰离开陆家后，创立了女神酒店，成为星洲上流人士云集之场所。

戏剧院的悲惨三级喜剧演员阿奇被瘟疫蚕食，然而他却幸存下来，变得目中无人和唯利是图，他许久，开国际玩笑，说冷笑话，大声谈论性事，对政治豪放厥词。阿奇还引诱自己的父亲提前退休后拿他的退休金恶意投资，最终还是全军覆没，这样像狗屎一样的人生，他在用自己的方式演绎一个社会中的普通人，然而把他放大来看，其实他只是社会中的一名艺人而已。

Adrift in a lush, nocturnal urban landscape, Nick is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For writer/director Bolton's lonely "tagger" protagonist, the vast wall surfaces of deserted alleys and trainyards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion. His own virtually anonymous existence seemingly only secondary to the painted surfaces and "rupture the system" manifesto which more poignantly evidence his presence, Nick's prodigious solo graffiti output is interrupted by friendship with another young tagger. Their communication begins as less verbal than a kind of shared graphic tour de force; their enormous collaborative graffiti murals appear to emerge as the unmistakable offspring of their kindred spirit. But eventually their assumptions about one another are disproved as political, emotional and ethical issues arise which cause their relationship to dissolve into the background of urban detritus, and the artists themselves emerge only further atomized and alienated by the experience. Compelling themes, sensitive performances, and luscious visuals define this film which is a revealing immersion into the experiential reality of those daring to make their art in a socially condemned arena. For a film ostensibly focusing on manipulated surfaces, Bolton's cinematic artistry probes deep into the consciousness of the "tagger" and "graffiti artist" sub-culture.

旅役者

After a late-night cup of coffee, vaudevillians Jo Hayden and Harry Palmer sit at a piano and work a song. Moments later, Jo realises she's found exactly what she wasn't looking for: a partner. And with Judy Garland as Jo and Gene Kelly as Harry, the partnership isn't just ideal. It's a film fan's dream come true. Kelly debuts and Garland dazzles in this Busby Berkeley-directed tale of a song-and-dance pair who take on tank towns, tough times and World War I while struggling for show-biz success. A hit parade of era tunes paces the film, including the wowser "Ballin' the Jack" and the sweetly harmonized title tune. Bursting with vitality and old-fashioned charm, "For Me And My Gal" is for the ages.

该片以朝_鲜时代的板索里为背景，讲述了当时贱民地位的歌者漂泊于朝鲜八道的同时历经悲伤与痛苦的故事。

一部没有出名与普通人没什么不同的半艺人生活的真实写照。剧中李素利(金素利饰)作为不知名的艺人生活着的暧昧的存在,通过恋爱真人秀节目获得了大众的关心。